The collection is organized thematically, so there's a chapter with architectural details, one on drawings from Rome, one on drawings of people, one with Swedish land- and townscapes, etc.
Visiting Rome to look at antiques and ruins was almost de rigueur for an architect/artist in those days, but your drawings from the place didn't have to be done on the spot; you could just as well copy somebody else's drawings from the place. I guess the important thing was to document the various form elements so you could use them in your own work later on. Ruins were also considered rather romantic. This is a church, S. Maria del Sole:
Still, even that which isn't Rehn doing original work displays his magnificent drawing skill. This is a memorial over a Cardinal by the French architect Bouchardon:
If all the pictures had been of larger size, I would have recommended this to just about everybody. As it is, I guess it's only if you have a special interest in Rehn, 1700s interior decorating, or an extraordinarily skilled draughtsman of olden times that this is a book for you.
But man, that guy could draw!
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